IVOB
Inner Vista of Becoming
Medium: Acrylic on canvas.
Size: 25 × 15 cm
Emotional Topographies
“Emotional Topographies” explores the inner landscape of the self. In this series, nature is no longer a mirror of the external world, but a totem of emotion, memory, and consciousness. Mountain ridges, flowing rivers, and drifting clouds become metaphors for shifting psychological states.
Each painting is a sensory map, tracing the paths our minds carve through lived experience.
Through the free interplay of dots, lines, colours, and symbols, the works evoke a non-narrative mode of reading—an open terrain where viewers can drift, lose themselves, and rediscover direction, like navigating a dream. It is both a visual and emotional journey—a mapping of the unseen corners of the self.
Inner Vista of Becoming
Medium: Acrylic on canvas.
Size: 25 × 15 cm
Emotional Topographies
“Emotional Topographies” explores the inner landscape of the self. In this series, nature is no longer a mirror of the external world, but a totem of emotion, memory, and consciousness. Mountain ridges, flowing rivers, and drifting clouds become metaphors for shifting psychological states.
Each painting is a sensory map, tracing the paths our minds carve through lived experience.
Through the free interplay of dots, lines, colours, and symbols, the works evoke a non-narrative mode of reading—an open terrain where viewers can drift, lose themselves, and rediscover direction, like navigating a dream. It is both a visual and emotional journey—a mapping of the unseen corners of the self.
Inner Vista of Becoming
Medium: Acrylic on canvas.
Size: 25 × 15 cm
Emotional Topographies
“Emotional Topographies” explores the inner landscape of the self. In this series, nature is no longer a mirror of the external world, but a totem of emotion, memory, and consciousness. Mountain ridges, flowing rivers, and drifting clouds become metaphors for shifting psychological states.
Each painting is a sensory map, tracing the paths our minds carve through lived experience.
Through the free interplay of dots, lines, colours, and symbols, the works evoke a non-narrative mode of reading—an open terrain where viewers can drift, lose themselves, and rediscover direction, like navigating a dream. It is both a visual and emotional journey—a mapping of the unseen corners of the self.